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Reggae - A daily blog

The following spiel is my point of view on the current state of ska and reggae in Australia. It probably isn't the definitive view and I have to admit I lean towards the pre 72 ska, reggae and rocksteady sound.

The first thing to point out is that the ska scene and reggae scene are two seperate entities in Australia. Rarely do the scenes cross over and when they do, they often suffer from punters not appreciating a different approach. A good example of this was Firehouse's recent Oldies Session @ Freedom Sounds. This much respected contemporary sound system was doing an oldies session, which attracted quite a few folk who like earlier JA music. The problem was that despite the excellent selections FH offered, they ruined the experience by constantly interupting songs with their fake Jamaican jabberings. I know they are known for doing this in their normal sound nights, but they should understand the contrast between the sweetest rocksteady song and their BIG UPs are cringe worthy. A shame.


Anyway, I got a bit off track. While the ska and reggae scenes don't necessarily overlap, both seem to be in a period of plodding along, without coming up with anything terribly inspiring. There are few new ska bands in Australia - there are a couple of decent ones in Melbourne, but apart from that, nothing worth writing about. Firehouse lost its regular venue in Sydney and Freedom Sounds suffers from being on a Sunday and taking place so frequently. Take It or Leave It gets a great turnout every month, but I question whether it is lacking passion from some quarter (and I run the night). Up north in Brisbane and Byron Bay there are quite regular gigs, but I am not hearing stories on the street of events I just have to attend.

The way I see it is that we have the interest; punters do want to attend ska and reggae events. What we don't have is musicians moving into reggae to produce exciting performances that people want to follow. Are other genres drawing away musicians from ska and reggae? It is hard to say. I just hope some of the successes in the US, UK and Europe start to transfer to Australia.
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I've been DJing quite a bit lately - for long stints at my own monthly club, Take It or Leave It, but also here and there. Anyway, I thought I'd put forward a list of the ska, rocksteady and reggae songs I am most enjoying playing at the moment.

In no particular order:

Ku Klux Klan - Steel Pulse. A great UK roots band, up tempo enough for the floor.
Peace and Love - The Royals. Newly discovered band. Great slower song.
Girl I've Got a Date - Alton Ellis. I always play this song. It is in my top 5 tracks of all time.
Pop the Trunk - The Aggrolites. Really the only contemporary band I play.

Go Jimmy Go - Bob Marley and the Wailers. Great early ska song from these legends.
There's a Fire - The Gaylads. This band has so many good songs. This one is a bit more uptempo for the floor.
El Pussy Cat Ska - Roland Alphonso. I don't do many instrumentals, but love this one.
Pat Kelly - Somebody's Baby. My favourite rocksteady singer.
Artibella - Ken Boothe.
Rough Rider - Prince Buster. Always have to play some PB.
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I know I shouldn't keep getting blog ideas from Dancing Mood, the excellent forum for the reggae and the ska, but I couldn't pass this up.

Check out this Malaysian band on Myspace - The Aggrobeats

One can't help but notice the similarities between a certain LA band! The music is still pretty good, which means they can get away with it. They also look like cool enough dudes, but the lyrics and the bio is taken, though not verbatim, from the Aggrolites.

Is this healthy? Will the Aggrolites be offended? I like to think they should feel honoured - you know you have made it big when you get a band paying tribute to you like this from Malaysia.

Go the Aggrobeats!
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Signals Melbourne Tour Diary - Day one

February 22nd 2007 00:59
It is the day before we go on tour. I've been to Melbourne before, but never to play shows. It generally has the reputation of being the main ska city and for as long as I can remember there has been a host of bands playing ska down there. It isn't any different at the moment - we are playing with a heap of bands while we are down there. Seeing these other bands is more exciting for me than actually playing.

We are taking a CD down there and loving to leave things until the last minute, I am picking up the inserts and discs today and will spend the evening burning 100 discs. We hope to sell most of these in order to get home again. Well not quite, but paying for our fill-in bass players travel and our drinking requires some good sales. They're going for 5 bucks though, so it's cheap.

I still have to pack as well and go through my records, as I am DJing on the Sunday afternoon at the Royal Park Hotel, North Melbourne. We fly out at 6 am tomorrow morning and though I am looking forward to the trip, I am not necessarily looking forward to the logistics of it.

If you live in Melbourne, see you at the show.

Signals on Myspace
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There is a plethora of ways to get free reggae music on the net at the moment and the argument rolls on between those who believe the owners of the music should be receiving royalties for this music, meaning consumers should be paying for it, and those who believe free music expands people's interest and therefore results in purchases as the intererest develops.

Podcasting, where songs are played back to back, seems to have been the latest thing used to get around the issue of downloading albums of music, but really, it is just the same thing. Splitting a podcast up is pretty straightforward, if you can be bothered


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I was in a Beastie Boys Video Clip today

February 15th 2007 09:54
My day today was a little different. It started quite interestingly, but as the day progressed it became more and more tedious.

A few days ago I was asked by a mate if I was interested in being in a Beastie Boys video clip. They were going for a sixties look and wanted people in the background who fitted that look. Also, they were interested in including scooters in the filming


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As we (The Signals) are going to Melbourne soon, I am trying to get some exposure in the Melbourne music street press, particularly The Beat and Inpress. Now I have dealt with Sydney street press a number of times, and know that they very much like to take your money, but you get very little from them. In the public listing sections, they often get gig details wrong because they take artistic licence or you don't get listed at all.

I have sometimes put in ads for events I have done, but at starting prices of $250, I can't do that very often


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Having a suit made

January 31st 2007 04:55
There are few things I enjoy more than going to my tailor and having a garment made. It isn't just the finished product, but the whole process that I enjoy. It is the ultimate sense of luxury for me.

How does this fit with reggae you ask? Well for many years subcultures who have listened to reggae and ska music (skinheads, mods) have seen a trip to the tailor as an essential part of their lives


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MATURE CONTENT
   


A Merry Reggae Xmas

December 25th 2006 05:56
I enjoy the festivities surrounding Christmas and seeing my family and all that, but I won't lie, I don't feel a spiritual connectiont to the day. I don't sit here and reflect on the birth of Christ, whether or not he existed. I just am not interested.

One has to say though, it is a pretty good excuse to eat a whole lot of food, score/give some presents and see your family in a relatively relaxrd frame of mind. Mum gets a bit aggro at some stages, but we stopped having the extended family round to our house so we have a pretty chilled time


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Myspace - I gave in

December 21st 2006 04:22
A while back I wrote a blog here saying how I was considering boycotting Myspace because it had been bought by News Ltd. With my personal space I did go through with it - although I was unable to delete the account entirely due to some password and email address issues.

The thing is though, I couldn't do it with the bands' space. The Signals space still exists over at: http://www.myspace.com/sydneysignals. Others has said a band these days would struggle to get any gigs or attention without it and though I don't entirely agree with it, to get people to hear our songs, they had to be on myspace


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Cover songs

December 20th 2006 07:41
I am having a band meeting on Friday to discuss possible covers we can do with the band.

I've got a few ideas, with a combination of covers of reggae songs and soul songs


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Dancehall Queen

October 26th 2006 09:07
I have had this DVD in my collection for quite some time, not bothering to watch it. Not necessarily because I am not interested, but rather I just haven't gotten around to it. Anyway, I started watching it today as I was sitting here on the computer. Needless to say, as it featured Jamaican patois, I couldn't follow it as I surfed the web. I can't then do a full review as yet.

I can give some background though. The well known reggae icon Don Letts is the Director and features appearences by Beenie Man, Lady Saw, Anthony B and Chevelle Franklyn. It came out in 1997 and from what I saw, it seems a step up from The Harder They Come, although the soundtrack of the Jimmy Cliff movie is more favoured by myself


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$15 for a reggae DJ night is a joke

October 2nd 2006 12:54
Saturday night we had every intention of heading to dancehall with Nasty Tek at Hermann's, otherwise known as Wentworth Bar, at Sydney Uni. I was tossing up how much I wanted to go. In the end what stopped us going was the price tag. A $15 cover charge is too much for a sound system night in my opinion. These guys have their own sound gear so after printing off a few posters the profit is close to 100%. It isn't like they have to pay bands. Most local gigs you go to are about a tenner. This often includes bands of 8 members meaning with 3 bands there is sometimes 25 band members you have to pay. To charge 15 bucks for guys spinning vinyl is ridiculous. So we didn't go, not the end of the world.

On the Sunday we thought we would head down to One Love at the Addison Rd centre in Marrickville. We had images of reggae on the grass and a wonderful day it would have been for it. To our surprise though it was inside and 15 bucks as well! Remembering that Addison Road Centre is a council owned site! My council as it happens! What a joke. These guys haven't even the rep of Nasty Tek and they think they can charge 15 bucks. The thing is, events held on council sites should have to allow for all council residents to enjoy it, meaning the thing should be free or merely help cover some costs


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