Reggae Perfection
May 16th 2006 09:30
As far as my taste in music goes, I have been cast as a close minded elitist by many a friend and acquaintance. I will admit that I was once open to many a new band doing anything with passion and gusto had me interested. When I first got into ska and punk music, I was particularly enthusiastic about any group that was heading in that direction. As I got older, my tastes shifted towards early Jamaican music predominantly. I still enjoy other bands in different genres, but I would say 75% of what I listen to is a band either from pre 1972 or a band playing in the style from that era. Most people I know experience a shift in music taste regularly and people have suggested mine will too. This used to happen to me, but I haven’t seen much of change for the last three years. I have perhaps enjoyed more mod, soul and Irish folk music, but still the Jamaican music has stood the test of time.
Why is this and why do many people have the same thing happen to them when it comes to reggae music? I know people like me exist all over Australia and all over the world. We aren’t the majority by any means, but there are plenty of us about. A genre where bands work off what is quite a simple core would tire with many, but there are others where it will never get stale, never start to bore.
You listen to current reggae bands writing their own material and often, if you’ve had enough experience of reggae, you can pick out songs from the past that influence this new song. This isn’t a bad thing, you are still offered something different, something very interesting and a sense that this group of musicians share the same passion and respect for sixties and early seventies Jamaican music.
You ask then, how can this be so? Why don’t I move on to explore and seek excitement from other music genres and leave reggae to occasionally return to, but not obsess over? The reason is simple. Reggae music, at its fundamental basis, is perfect. You don’t attempt to reinvent the wheel. By about 1972, reggae musicians had explored all the fundamentals needed to explore – they had it, this dance music that could bring out true passion in people. Nothing will ever equal it.
Why is this and why do many people have the same thing happen to them when it comes to reggae music? I know people like me exist all over Australia and all over the world. We aren’t the majority by any means, but there are plenty of us about. A genre where bands work off what is quite a simple core would tire with many, but there are others where it will never get stale, never start to bore.
You listen to current reggae bands writing their own material and often, if you’ve had enough experience of reggae, you can pick out songs from the past that influence this new song. This isn’t a bad thing, you are still offered something different, something very interesting and a sense that this group of musicians share the same passion and respect for sixties and early seventies Jamaican music.
You ask then, how can this be so? Why don’t I move on to explore and seek excitement from other music genres and leave reggae to occasionally return to, but not obsess over? The reason is simple. Reggae music, at its fundamental basis, is perfect. You don’t attempt to reinvent the wheel. By about 1972, reggae musicians had explored all the fundamentals needed to explore – they had it, this dance music that could bring out true passion in people. Nothing will ever equal it.
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